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There is something about the year 1999... It seems so ominous. This probably says a lot about the mystical power Nostradamus has over people. I remember wondering as a young kid what terrible things would happen in 1999 after hearing about the above Nostradamus prophecy (1999 seemed so far in the future back then, but here we are!) even though I did not really know what the prophecy actually said or meant. I feel this applies to a lot of people. In fact, what is perhaps most mysterious about Nostradamus is how people regard him as one of the greatest prophets in history without knowing even one of his fulfilled prophecies, or any of his prophecies for that matter. The reality is that there are very few prophecies of his that can be considered to be clearly fulfilled. This is mainly due to the vague and enigmatic wording of his prophecies which allows numerous interpretations. This causes some people to dismiss the prophecies as a clever trickery at the same time it causes some people to think virtually every events in the world are predicted by Nostradamus. It is really remarkable how poorly the prophetic quatrains have been interpreted and/or presented even by the perceived "experts". The usual pattern is they try to present their extremely subjective 'interpretations' as what Nostradamus "said" or "meant" as if they can speak for him. Most of those who discuss the prophecies nullify the distinction between what Nostradamus actually wrote and what they think the words mean, which is a big no-no in terms of maintaining objectivity, and it becomes the source of the much confusion that surrounds Nostradamus' prophecies. In my view, most, if not all, interpretations of the prophecies that you find in books are shallow, prejudiced and ultimately useless. They don't even begin to delineate the mystical depth and the potential the prophetic quatrains possess.
What is the true nature of the prophecies of Nostradamus then? And how useful are they? As we are getting so close to the ominous 1999 date, it is inevitable that Nostradamus and one specific quatrain, numbered X-72, will get much attention of the world, and I felt it was important and a good opportunity to put out some extensively-analyzed and unmisleadingly-presented information on the Internet in conjunction with Quatrain X-72 that would potentially answer those questions. 1999 will be a defining moment for Nostradamus and the prophecies of Nostradamus will likely have a very different value in people's minds afterwards, and it is my hope and belief that the unique information provided on this page will assist and encourage the process in a productive way. It is likely that the readers who have not followed my work, even if they are very familiar with Nostradamus' prophecies, will be surprised by my approach as it has very little in common with others' takes on the prophecies. The key difference is the very extensive, dynamic, and correlative symbology involved in my analysis.
While Nostradamus/Quatrain X-72 is the central topic of this discourse, as you read on you will see that the true issue is not predicting the future or proving the validity of the prophecy. What happens is that the quatrain begins to function as a tool that guides us to notice connections between various events or concepts across space and time that are otherwise seemingly unrelated. In other words, the quatrain, through its deep symbology, pushes one to notice subltle order in chaos, and have a perspective that transcends the dimension of linear time. (The same applies to other quatrains also, not just X-72.) The result is that one begins to see the 'big picture', the larger 'reality', instead of just idly speculating about the future. And then it will be seen that to know the (potential) future is to know the past and perceive the 'big picture'. The apparent obscurity of the wording of the quatrains is not an attempt to trick people or be safe, but more likley due to his using the language of 'symbolism' which resonates with inter-temporal concepts and patterns which are the ingredients for shaping the 'big picture'.
Speaking of the "big picture", one of the key elements of this article will be the Hollywood movies which in my view contain a lot of 'hints' about the 'big picture', as you'd know if you have followed my web site for the past year or so. There will be numerous references to various major movies (which I hope you all have seen), and the 'side effect' of this will be more confirmation that the there are those in media/entertainment industry who are very aware of the 'big picture' and planting hints in their products. Also, if you haven't already, I encourage the readers to read 'The Elysian Fields', 'Babylon Matrix' and/or 'The Nile Time-map Theory' (all written by this author) elsewhere on this web site as there will be references to those works and it would be helpful if the reader is familiar with these.
The phrase "Final Solution" in the title has both positive and negative meanings. It is positive in that the following may be the 'final solution' to the enigmatic quatrain, X-72, which suggests in turn the return of somthing that has been lost for so long to 'finally solve' a great mystery. The negative implications on the other hand.... Well, it turns out that the 'big picture' ain't so pretty.
(The presention on this page is not as organized or detailed as I want it to be, but it will be updated/revised from time to time.)
"From the Sky"
Thor's
Hammer
This is a line that has perplexed all those who tried to interpret the quatrain. They tried to interpret 'Mars' as 'war' (which is a mythological/astrological association, since Mars is a 'god of war'), but the following phrase "reign by good luck" did not seem to make much sense. As for me, this line provided significant clues that guided me to see the (potential) 'big picture', the big context.
The puzzling phrase, "good luck", holds the key to decoding the quatrain.
It's actually quite simple, and it's somewhat surprising that no one has
picked up on it until now. There is an ancient symbol that is associated with
'good luck' - it is the swastika (one
of the oldest symbols of mankind), a version of which was used by the Nazis
(the notion of 'good luck'/'good fortune' is associated particularly with
the 'sinistroverse' swastika - i.e. the legs of the swastika pointing clockwise
- which is the version adopted by the Nazis). The implication of
this is obviously disturbing. If we are to interpret Mars as 'war',
then we get 'war to reign by the Nazis'. Does this mean the Nazis
will return as a major political/military force? Unlikely.
Not directly, anyway. One has to keep in mind that the influence
of Nazism did not die out when the war ended.
For example, there have been rumors that Martin Bormann, Hitler's deputy,
was orchestrating a global Nazi empire in South America after the war.
And it is not even a rumor but a fact that Bormann, on August 10, '44,
well aware by then that the Nazis would lose the war, gathered German business
leaders and Nazi officials to discuss a plan that was to be known as 'Operation
Eagle Flight' whose purpose was the continuation of Nazism through
the massive transfer of their wealth and technology to other parts of the
world. As a result of this, 750 foreign front corporations were created
(in Sweden, Switzerland, Spain, Turkey, Argentina, etc.), aided by foreign
banks and corporations. Therefore the notion of 'war by the Nazis'
could mean war engineered from behind the scenes by those influential/wealthy
people/organizations that have some kind of Nazi connection.
In addition, and it is more worrisome, there were Project Paperclip and Project 63 which exfiltrated Nazi scientists and specialists to serve American intellegence interests. Under Project Paperclip about 900 Nazis were unjustly protected and brought to the US.
This will now lead back to the interpretations of the foregoing lines of X-72 involving space missions Cassini, Mir, and MGS. (The relevance of space exploration is hinted by the swastika as the symbol has been also associated with stargazing/astronomy/calendar-making.) That's because after WWII many of the recruited Nazi scientists were to become the founding members of our space program. For example, Wernher von Braun, who worked closely with SS Obergruppenfuhrer Dr. Hans Kammler (who was in charge of Germany's high-tech weapons programs), eventually became director of NASA's Marshall Space Flight Center after the war. Luftwaffe Maj. Gen. Walter Dornberger, who also worked closely with Kammler, became the vice president of Bell Aircraft Company and Bell Aerosystems Company in the United States. Dr. Kurt H. Debus, who worked in the same Nazi weapons program (V2 rockets), became the director of Kennedy Space Center at Cape Canaveral. Richard Gompertz, a V2 engine specialist, came to preside over NASA's Chrysler space division. Lutz Thilo Kayser, who was close to the Nazi rocket industry, was on a committee on the Apollo program transport systems. Etc.
Could this mean that NASA is still influenced by Nazism? This might have something to do with all the mythological symbology (involving Isis/Sirius, Osiris/Orion, Horus, 19.5, 33, July 20, etc. etc. as first pointed out by Richard Hoagland) incorporated into many, if not all, of major space missions (although another shadowy group is involved in this), as the driving force behind Nazism were certain mystical organizations such as the 'Thule Society', 'Vril Society', and 'Edelweiss Society'. Nazism was more than just a political movement. It was deeply devoted to mystical beliefs and symbols. The Nazi/Thule mysticism even claimed that some extraterrestrial beings ('underground supermen') were their true leaders.
Considering the above, the forth line, "Before after Mars to reign
by good luck", can fittingly be applied to the recent rash of Mars
probes (Pathfinder, Glabal Surveryor, Planet B, Mars Climate Orbiter,
Mars Polar Lander, etc.); it would suggest that the probes being
sent to the Red Planet around 1999 ("before after") are somehow related
to Nazism. And since the
"king" of the Nazis was supposedly some kind of extraterrstrials ("supermen"),
it might be implied that the "great King of terror" ("terror" at least
partially referring to the Nazis) that is to come "from the sky" involves
some kind of extraterrestrial intelligence in conjunction with Mars (eg.
confirmation of the artificial structures on Mars, etc.). It should
now be noted that the notion of 'good fortune/luck' is also represented
by Hermes/Mercury which also astrologically relates to 'communication'/'messenger',
thus strenthening the notion of 'information' coming "from the sky" or
specifically from Mars. In addition, the 'messenger' (= "angels")
association would insinuate the somewhat puzzling link between Nazism and
"angels"/messenger.
Now, isn't it just intriguing that in the recent ('97) movie 'Contact' (Jodie Foster in it, and the story written by Carl Sagan), the very first visual transmission (the 'first contact' / 'communication from the sky') recieved from the extraterrestrials (in Vega) displayed the image of none other than the swastika, the Nazi symbol, and Hitler making a speech for the Olympic Games in Germany?! In this case, Hitler as the "King of terror" (as he is the 'king' of Nazism) quite literally 'came from the sky', as if to conform to Nostradamus' prophecy. (This seems to demonstrate my contention that movies and TV programs somehow so often contain many hints about the 'big picture'.)
Hitler making a speech at the Olympics is also symbolically significant in that the Olympics honor Zeus/Jupiter (the group of gods led by Jupiter/Zeus was called the Olympians) who is the Greco-Roman counterpart of Thor the thunder-god of Norse mythology who in turn is often associated with the swastika and Nazism. This Jupiter-Nazi connection correlates to the naming of the Nazis' 'Operation Eagle Flight' because Jupiter/Thor is often associated with the eagle. For example, the eagle appears on some depictions of 'Thor's Hammer', which is also associated with lightening and the swastika. Thor uses the Hammer as a thrown missile.
Now, what is interesting about 'Thor's Hammer' is that it is said that the thrown hammer always returns to Thor's hand like a boomerang. This can be related to another space mission that was associated with the quatrain earlier, Cassini, which indeed comes back (in Aug. 1999) from the inner solar system to Earth like a boomerang before going out toward Saturn.
There is a swastika connection with the Mir spacestation also:
One of the swastika's meanings is 'peace', and 'peace' is exactly what
the name 'Mir' means in Russian! And since positive symbolisms, such
as 'peace', are usually carried by the 'destroverse' swastika (i.e. the
legs angled counter-clockwise) which is the opposite of the Nazi/'good
luck' symbol, it is rather symbolically congruent that Mir is to be brought
down and destroyed in mid '99.
As you can see, the phrase "King of terror" is used which very closely
resembles "Father of Terrors". Also, at this point, we can start
to make some sense out of the third line of X-72 in conjunction with the
fourth line.
The concept of 'bringing back to life'/resurrection brings to mind the
resurrection of Osiris, an important Egyptian god who was associated
with the 'Golden Age'/'First Time', which could probably
be called 'Atlantis', which preceded
ancient Egypt.
In the mythology, Osiris was murdered by his brother Seth, but later temporarily
resurrected by his wife/sister Isis to receive his seed and bore Horus.
In ancient Egypt, each pharaoh was considered to be Horus, and Horus' mission
was to avenge his father, Osiris, and bring back the Golden Age.
Osiris can be viewed as the "once and future king" (like King Arthur
of the Holy Grail - which is actually a very related issue), which could
be related to the "king" of the third line and the "before after (once
and future?) Mars to reign" part of the fourth line. Curiously, it
would seem to let Mars relate to the "king" (i.e. 'once and future
Mars' instead of once and future king'), just as the 'king'
of "King of terror" (second line) was referable to Mars earlier.
It should also be noted that the word 'Cairo', where the Great Sphinx/"King
of terror" sits, essentially means 'Mars'. All this seems to insinuate
a connection between 'Atlantis' and Mars, which happens to be a concept
derived in my Babylon
Matrix article. It appears very possible that the quatrain
describes the return of the (knowledge of) Golden Age/First Time/Atlantis
in conjunction with the discoveries that is to be made by the Mars probes.
It is interesting that many secret esoteric societies with secret knowledge and rituals (Masonry, Templars, Rosicrucians, Essenes, Followers of Horus, etc.) that existed throughout history under various names seem to have their roots ultimately in ancient Egypt or Sumer, if not Atlantis itself. It is quite conceivable that the Thule Society, the driving force behind Nazism, was also had some kind of connection to the ancient civilization. It would therefore be symbolically congruent that the 'bringing back' of the kingdom of Osiris (=> Atlantis), which was a major theme in ancient Egypt, is to occur through space probes to Mars which quite possibly are under the influence of some type of Nazism (corresponding to the phrase "by good luck").
There is another significant and dreadful notion that can be derived from the Atlantis connection in conjunction with Thor/'Thor's Hammer' mentioned earlier. Thor, a 'thunder god', is the Norse counterpart of Greco-Roman Jupiter/Zeus, also a 'thunder god', who, in the myth, brought about the Flood to wipe out mankind - not unlike the Nazis' 'Final Solution' which was an attemp to genetically purify mankind through genocide. This Jupiter's "Flood", at least in my model, correponds to the destruction of what could be called 'Atlantis' in or conjointly with the Age of Taurus - roughly 4490BC~2330BC. (Conformably, my model has treated Jupiter as an antagonist.) Considering the association made (though somewhat loosely) between Hitler/"King of terror" and Olympics/Jupiter/Thor earlier, it could be hypothesized that what is to come "from the sky" relates to the "king" of the gods, Jupiter, and the so-called "Flood". In other words, that which terminated "Atlantis", or the "First Time", might be about to repeat at this particular time in some form, or at least the potential for the 'Final Solution' seems to be there.
So far, the "King of terror" has been associated with the Great Sphinx, some type of extraterrstrial intelligence, Hitler/Nazism, Thor/Jupiter/Zeus, Mars, and even Saturn.
Now the only part of the quatrain still not very well-correlated is
the "great King of Angolmois" part of Line 3. What is "Angolmois"
anyway? There was a region in south-east France which as a province
was called 'Angoumois' where today there is a French city called
'Angouleme'. However, except for the fact that the region is at longitude
0 deg., there doesn't seem to be anything that special about the place
as far as I can tell. There is actually some indication that it has
something to do with christianity, but I will not go into that at this
time. As we move closer to the summer of 1999, I'm sure it will be
much clearer. (Update 6/17/99: Indeed there has been some progress
in understanding Line 3 since, and it will be presented in a future update.)
It should also be noted that the Cassini spacecraft is somehow carrying 72 lb. of plutonium. And also, the picture that started all the Cydonia (Mars) controversy in the first place was the frame from Viking 1 labeled 35A72 which had the "face on Mars" (and the whole key Cydonia region can be reconstructed using frames 35A71, 72, 73, 74).
So, it wasn't a big surprise, though I was still amazed, to find that
the X-72's neighboring quatrains yield much symbolic correlation and corroboration
that confirm my interpretation of the quatrain X-72. In particular,
the suggested relevance of Jupiter to X-72, "King of terror", swastika/"good
luck", Nazism is much strengthened by the additional information.
First, here is Quatrain X-71 that immediately precedes the '1999 quatrain':
The earth and air will freeze so much water,
When they will come to venerate Thursday:
That which will be will not ever be as fair as it was
From the four parts they will come to honor it.
The key is the second line, as it relates to Jupiter/Thor. Quite simply, "Thursday" is 'Thor's day' / Jupiter's day. With Thor/Jupiter comes the associations - Nazis/Hitler, swastika, Flood, Atlantis, eagle, and all that. The other lines are rather vague and don't seem to contain much useful symbolism for the context I'm developing and applying, although the first line seems to alludes to major earth-changes and might relate to Jupiter making 'winter' in mythology. Also, the third line can be implying that Jupiter will not be as nice as it/he was in the past (in mythology, at least as we know it today, Jupiter is usually not depicted as a sinister deity), as can be imagined from the Nazi connection.
The concept of 'venerating Thursday' yields another interesting association. There is a semi-religious holiday that is celebrated on Thursday - 'Thanksgiving Day' of the United States which is celebrated on the fourth Thursday of November. Although Thanksgiving Day is a day to give thanks with feasting and prayer for the year's blessings, it was originally a harvest festival, a day to thank God for crop fertility and in America it used to be a totally religious event. Now, this relates to, instead of Jupiter, Saturn, the god of agriculture and associated with abundance (as well as to Hermes/Mercury, of the 'good luck/forturn' association earlier, who was an early fertility deity). Thus, we're looking at another example of the Saturn-Jupiter mix-up which was discussed in 'The Elysian Fields' in conjunction with other quatrains, and even with X-72 we experienced this very confusion in conjunction with the term "King of terror/appeasing". Since in my model Saturn and Jupiter represent two opposing forces, the seemingly deliberate, repeated mix-up may to be viewed as a significant 'message'. One possibility is that there is to be a major deception and/or misunderstanding regarding a new 'force' that will appear before us.
The significance of the Saturn-Jupiter rivalry/confusion appears to be reinforced by the fact that Cassini (representing Saturn) and Jupiter will 'cross' on Dec. 30, 2000 - virtually the very eve of the next Millennium (the 3rd millennium officially begins on Jan. 1, 2001). I can't help but infer that the Saturn/Cassini-Jupiter crossing occurring just 1 (or 2) day before the new Millennium is a deliberate symbology 'planted' by some faction of the secret underground society who is running the show from behind the scenes. Possibly, the Nazi force is involved. Another interesting points is that 72 years from 1929, which is the year the State of Vatican City was established, brings us to the very year, 2001, the beginning of the Millennium.
Here is an illustration of Cassini's trajectory (borrowed from NASA's
web site):
It should also be noted that Saturn was the god of the 'Golden Age' as was Osiris. And both of these deities are said to be in some kind of 'magic sleep' or "life in death", or ruling the place where the dead go. And both are said to return to bring another Golden Age. Therefore it is quite reasonable to assume that these two 'gods' have a, at least partly, shared identity. Correspondingly, just as Osiris, Saturn may be associated with 'Atlantis' ('First Time'). It is interesting, moreover, that in Mars (which was also associated with Atlantis earlier while interpreting X-72), according to some of the former US military 'remote-viewers' (remote viewing is desciplined and highly controlled clairvoyance; just declassified in mid-'90s), there supposedly are beings in sort of cryogenic state and taken cared of by some kind of machines... Though sounds pretty far-fetched, it kind of makes me wonder if there is a connection between the 'hibernating' beings in Mars and Saturn's (and Osiris') 'magic sleep'. It, then, can be hypothesized that the supposed "Martians" ("Atlanteans"?) might be a major part of the coming event involving the saga of Saturn, Jupiter/Thor, ancient Egypt, Hitler/Nazism, etc.
Another "once and future king", like Osiris and Saturn, is King Arthur as mentioned earlier. I find it intriguing that the name 'Arthur', while there are various theories, may have come from the word 'bear' (from Celtic 'artos') which is the animal well known for its hibernation during winter (remember that 'winter' is associated with the reign of Jupiter). Curiously, according to another theory, the name 'Arthur' may have derived from the phrase 'Thor's eagle' (from Scandinavian Arnthor). So we again experience the strange overlap of Saturnian implication and Jovian implication.
Pluto has interesting associations also. Pluto, the Greek god of the underworld/dead just like Osiris, is associated with Cassini (=> Saturn) and Nazism: Cassini is infamous for carrying '72' lb of 'plutonium' and the rise of Nazism coincided with the discovery of Pluto in 1930. Cassini/Saturn-Pluto connection is coherent, but the Pluto-Nazism connection again seem to muddle the differenciation between Saturn and Thor/Jupiter. I'm not quite sure why at this time.
Let's move on to Quatrain X-73 which immediately succeeds X-72 (the
'1999' quatrain):
The present time together with the past
Will be judged by the great Jovialist:
The world too late will be tired of him,
And through the clergy outh-taker disloyal.
The first line, as should be obvious to you, would relate to the return of (the knowledge) of 'Atlantis'/First Time/Golden Age. The second line has a clear reference to, yet again, Jupiter, as the word "Jovialist" is derived from Jupiter/Jove. The "judge" part can refer to a genocidal 'Final Solution'-type event. The fourth line appears to be Church related. In a way, the second line also relates to the Roman Catholic Church as it is historically associated with Jupiter. For example, the current Church can be viewed as the extension of the Roman Empire and the Roman Emperor was called "Jovien" (= 'of Jupiter'). So, this quatrain may well be suggesting that the coming event around the turn of the millennium will involve the Church.
Now, let's move on to the very next quatrain X-74:
The year of the great seventh number accomplished,
It will appear at the time of the games of slaughter:
Not far from the great millennial age,
When the buried will go out from their tombs.
This quatrain is quite striking. Line 1 could correspond to the "7 months" ("The year 1999 and seven months") part of X-72, and also to the next millennium (beginning from 2001) which is the seventh millennium counting from 4000 BC which marks religiously, Masonically, historically, etc. the beginning of history. The Age of Aquarius which is just about to begin in our epoch can also be viewed as the 'seventh' age counting from the Age of Leo (roughly 10,970BC~8810BC). The reason for counting from the Age of Leo is because, among other things, it is one of the epochs encoded archaeoastronomically in the Giza monuments - the pyramids and the Sphinx (according to Robert Bauval's 'Star Correlation Theory'. See 'The Message of the Sphinx') that corresponds to the 'First Time'. So, in various ways the first line can refer to the epoch of 2000 AD, especially considering the third line which says "not far from the millennial age".
The "game of slaughter" of the second line can easily relate to the Olympic Games which started in Greece as a pure athletic festival but in the Roman culture degenerated into violence and greed - i.e. the 'game of slaughter'. So, again, this relates to Jupiter (remember, Olympics honor Zeus/Jupiter), with a subtle reference to Rome again. More remarkable is the fact that the Olympic stadium for the Sydney Olympics in 2000 is built in Homebush Bay which used to be 'The Homebush Slaughter Yards'!
By the way, isn't it interesting that the last summer Olympics before 1999 was held in Atlanta (=> 'Atlantis') in '98? (Yep, hints are everywhere.) Also, the Olympics became a 'game of slaughter' when it was held in '72, the year of the key number, at Munich, Germany, the very home of Nazism, as during the event eight Arab terrorists attacked the quarters of the Israeli team and ended up in 17 deaths, as if to accentuate the symbolism involved (72, Nazism/Germany, etc.).
The fourth line, "when the buried will go out from their tombs", is.... well, remarkable isn't it? As mentioned earlier, Osiris (and Pluto, and to some degree Saturn) is the god of the dead/underworld. Both Osiris and Saturn have been associated with the Golden Age/'First Time'/'Atlantis'. So, you can see what the line implies. The supposed "Martians" of the remote viewers are semi-dead underground. Some survivors of the Atlanteans have supposedly gone underground (of earth), according to some sources (why is 'Atlas', in mythology, said to carry the world on his shoulders? Makes one wonder). So, the line may be a predicting the lost race finally 'coming out' of their 'hibernation'. Also, more symbolically and perhaps more plausibly, it may simply refer to the re-surfacing of the lost ancient 'knowledge', as the term 'the dead', in a old gnostic view, referred to 'the uninitiated'/unenlightened/those without the sacred knowledge. Thus the the phrase 'dead/buried coming out of their tomb' can mean that the unenlightened general public is finally initiated into the Secret. All those different levels of interpretation all interact to depict the 'big picture'.
Speaking of the 'big picture', it is conceivable that the 'game of slaughter' relates to a eugenics project (i.e. selective breeding to produce desired qualities). It was the Nazis' main goal to eradicate "inferior" genes/races from the human gene pool, and through a desired breeding process produce a pure 'super race'. Similarly, the purpose of Jupiter's 'Flood' was to cleanse the earth because mankind had become, in his view, corrupted/contaminated. The nature of the corruption is clear in the Bible version of the tale of the Flood; the "sons of God came in unto the daughters of men, and they bare children to them... And God saw that the wickedness of man was great in the earth... And the Lord said, I will destroy man..." (Genesis 6:4~7) As you can see, it had to do with interbreeding / genetics. So, Nazism and Jupiter converge again, this time on the concept of the 'game of slaughter' - eugenics and genocide.
The eugenics project did not die with the fall of the Nazis, as it had connections to England, USA, Rockefeller, etc. The project apparently is still going on behind the scenes quietly. This issue would open a can of worms, or to use a more symbolically apt phrase, 'Pandora's box', though I will not delve into it much at this time.
Now, the following is an "interpretation", if it can be described as
such, of X-72 (the '1999' quatrain) done by a hypnotized subject who sort
of 'downloads' information from the 'unconscious matrix' after being read
a quatrain, not unlike how one downloads information from the internet
(think of the computer as the brain, monitor the conscious mind, and the
internet as the yet unidentified field/matrix where all information is
stored which is accessible through the modem which represents a yet unidentified
part/function of our brain that produces psychic/psi/telepathic abilities).
The "interpretations" of the quatrains obtained in this way are presented
in "Conversations With Nostradamus Vol.1~3" by Dolores
Cannon (regressionist/hypnotist), and this is the information obtained
in conjunction with X-72:
Shocking in various ways, isn't it? Shocking that this otherwise seemingly absurd interpretation of X-72 conforms to the eugenics-Nazi-Jupiter connection I made. Shocking that psychic functioning seems to be real and work. Shocking that there may really be a eugenics project going on behind the scenes. Shocking that this may play a big part in the coming events. Additionally , the information concerning the project going on for several decades conforms to the Nazi-connection model.
At this point, I'd like to point out that the DNA molecule is known to be more or less swastika-shaped. Yet again, Nazism/Thor/Jupiter and genetics are linked, as if all the above wasn't enough.
Additionally, since the CWN material is brought up, I'd like to present
another quatrain and a hypnotic "interpretation" that mesh so well with
much of what I've come up with so far:
From the sixth bright celestial light
it will come to thunder very strongly in Burgundy.
Then a monster will be born of a very hideuos beast:
In March, April, May and June great wounding and worrying.
The correlations: Points 1 ~ 3 above conform to the aforementioned Jupiter-Saturn confusion. Point 2 is new and rather radical concept, but it relates to the concept of genocide. Point 4 relates to radiation (=> Cassini plutonium connection) and genetics. Point 6 corresponds to X-72's indicated time frame, "1999". Point 4 connects the 'Antichrist' with 'Thursday', which is something that is indicated repeatedly in CWN, and it sure does agree with my model in which Hitler, generally viewed as an "antichrist", is connected with Thursday/Thor/Jupiter. Furthermore, it turns out that the mention of "Burgundy" in the second line gives even more credence to the Nazi-Jupiter connection, because Burgundy, a region in France, was the very place where Himmler (head of Nazi SS, a Vril Society member) dreamed to create a fully independent nation ruled by the SS. "Burgundy" appearing in the same line as "thunder" (=>Jupiter/Thor) is therefore no coincidence.
Now, what about the 'destroyed planet' (Point 2)? Here is a quote from the hypnotic interpretation:
"one of the great lights, due to a war in the heavens, was destroyed. The one which was between Mars and Jupiter is no more.""A war in the heavens"? The hypnotic subject goes on to say that the 'asteroid belt' that exists today between Mars and Jupiter is the aftermath of the destruction (which is a strange piece of information but it's actually not unheard of, as some scientists and researchers have hypothesized that a destruction of a planetary object may well be what created what is now known as the asteroid belt). But a "war in the heavens"? What are we talking about here... 'Star Wars'?
I assume that most of us have seen the Star Wars movies, as they're one of the most popular movie series. In the movies, the "Jedi" fight the dark force lead by "Darth Vader" whose homebase is the "Death Star" - the huge artificial planetoid. Could it be just a coincidence that "Jedi" closely resembles that word "Jeudi" which in French means 'Thursday'? But why would the "good guys" associated with the Thor/Jupiter force? Well, remember that Darth Vader (which means 'Dark Father') was also a Jedi who strayed into the 'dark side'. Since he is the "Father", he would fit the character of 'Jupiter' (=> 'king of the gods') as discussed in this article. And the 'Death Star'... which is basically a 'planet-destroyer'. Ringing any bells? Notice that the name 'death star' could be applied to Pluto as it is the god/planet of the dead/underworld, and it happens that Cassini that is to fly by earth is famous for carrying deadly 'pluto'nium. So, in way, Cassini's approach to Earth is symbolically comparable to the coming of the "Death Star".
It gets even more interesting: Darth Vader's original name is Anakin Skywalker, and "Anakin" is derived from Anakim (as according to George Lucas, the creator of Star Wars, the name is a variation on the race of giants in Genesis - the "giants" would be the 'Nephilim' or the 'Anakim'). Those who are familiar with various theories concerning the Nephilim (or the Sumerian counterpart, 'Annunnaki') are probably going "ah ha!" Because those 'sons of God' or 'fallen angels' are often theorized to be beings who came from elsewhere to manipulate the affairs on Earth in the ancient times, and they're associated with interbreeding (with 'daughters of man') and the Flood. The connection with Jupiter, Atlantis, etc. should be obvious. Moreover, those "fallen angles" are also often associated with 'serpent'/'wisdom', so is it just a coincidence that "Djedhi" (closely resembling 'Jedi') is a name given to "Serpents of Wisdom"?
In a way, the Anannuki are our father figure, just as Darth Vader/'Dark Father' turns out to be Luke Skywalker's father. And isn't it interesting that, in the movie 'Contact', it was also symbolically the 'father' that makes the 'Contact' from the stars (and the father figure is subtly overlaid with Hitler/Nazis). And it is probably no coincidence that a new Star Wars movie comes to the theaters in 1999!
Let me add some more to the notion of Jupiter/'Dark Father' and destroying a planet. It appears that it was one of those 'hints' that the SL-9 comets crashed into Jupiter in July of '94 producing a great light show to catch the attention of the whole world. It demonstrated the tremendous devastation a comet or an asteroid can cause on a planet. But symbolically, it may have hinted at the nature of the "Flood"/genocide that is mythologically connected with Jupiter. In other words, the message may be that the 'Flood', the destruction of 'Atlantis', was caused by an incoming rock or rocks from space.
Further symbological analysis corroborates the above association. This again involves the space program / NASA, and specifically its brightest moment - the first ever manned landing on the Moon by Apollo 11. This historic mission occurred from July 16 through 24 (1969). Interestingly, these dates very closely matches the dates of the SL-9 comets' collision with Jupiter, July 16~22 (1994). And if you recall, the name of the lander that made the historic landing on the Moon was 'Eagle', the animal mythologically associated with Jupiter. Furthermore, the date on which the historic Moon landing occurred, July 20, was a very significant date for the ancient Egyptians as 7/20 was when the 'rebirth' of Sirius (stellar Isis) occurred, as it was the time of Sirius' heliacal rising (i.e. rising in the morning just before the sun), after hidden beneath the horizon for about 70 days. But more importantly, the significance of this heliacal rising of Sirius on/arond July 20 in the epoch of ancient Egypt was linked to the fact that it signaled the annual inundation of the Nile! So, the Jupiter-SL-9 collision's relevance to the issue of the 'Flood' is backed up by the date-matching Apollo 11 mission which is symbolically connected to Jupiter ('Eagle') and the 'flood' (of the Nile).
It is curious that in '98 we had two major movies, 'Deep Impact' and 'Armageddon', that dealt with the very concept of an asteroid/comet hurling toward the Earth. Armageddon was intriguing as it quite clearly contained hints that confirm the Jupiter/Flood/Atlantis-asteroid/comet connection: the opening scene is accompanied by music resembling that of the hugely successful movie, 'Titanic' ('Titans' are the group of gods headed by Saturn - therefore, sinking of the Titanic symbolically depicts the fall of the Golden Age/Saturn), and the narration, after discussing the ancient asteroid that collided with Earth, states 'it happened before, it will happen again'. After which the movie shows a precursor event in which incoming rocks destroys a spaceshuttle operating in space which is named... 'Atlantis'! Together, it symbolically depicts the 'big picture' that is very congruent - i.e. Titans/Saturn/Golden Age/Atlantis destroyed by an incoming cosmic 'rock'. And the further implication is that our world may be in for a repeat of the fate of 'Atlantis'.
The notion of the 'Dark Father' is also cleverly incorporated into the movie. The subplot of the movie is the father-daughter relationship similar to that of 'Contact'. And the father, played by Bruce Willis, is depicted as a very controlling father who is to be identified with the incoming asteroid as at the end he alone is on the asteroid and dies with it in the explosion of the space rock. So the connection between the 'dark father' figure and an incoming cosmic rock is seen here again. We could also identify the father as "Jupiter" through the associations made previously. The father-daughter relationship is also echoed by the fact that the daughter character in the movie is the real daughter of Steven Tylor of Aerosmith (rock band) who provided a song for the the movie (in the music video for the Aerosmith song, Steven Tylor, dressed in a bird-like costume, sort of replaces 'Harry'/Willis as the father; and the notion of 'bird' has very relevant associations, but we won't go into that in this article.)
There are other relevant symbolisms in Armageddon. In the movie, a Russian spacestation (=> Mir) is destroyed. But before the destruction, as two space-shuttles link up with the spacestation, it is shown for just a second that together the shape of the shuttles and the station resembles the swastika. This appears to confirm the relevance of Mir in the 'big picture' in conjunction with Quatrain X-72. And it happens that, amazingly, there is even a likely reference to a relevant Nostradamus quatrain. The special space-shuttles used for the mission to counter the asteroid were named... "X-71"! Now...'X-71' is of course the quatrain that immediately precedes X-72, the '1999 quatrain', and mentions 'Thursday', as discussed a little earlier. So it brings in the Jupiter associations and the X-72 connection. I guess naming the shuttle 'X-72' would've been too obvious a hint :)
'Deep Impact' has equally remarkable 'hints'. In the movie, it is the space-shuttle "Atlantis" that carries the crew to "Messiah" orbiting in space which is a nuclear propulsion system originally designed for a military project named "Orion" (= Osiris). (There are further implications beyond just those key names here, but we won't delve into it.) Furthermore, the missiles sent, as the last defense, to counter the incoming doomsday rocks are named "Titans", conforming to the archetypal Saturn/Titan-Jupiter/Olympians clash model. And yet again, the subplot of the movie is a father-daughter relationship. It's interesting to note that the old picture of the father and daughter that was the key to bringing together the two again which was suggested to show the two playing around fondly actually in the 'hidden context' depicts the father more or less 'raping' the daughter (when you see the movie next time, notice how the picture does allow this view). This portrays the interbreeding/genetic engineering that likely resulted in us having the 'Dark Father'.
The most significant reference in the movie, however, is the date 'August 16th' - which is the date projected to be when the cosmic collision would take place in the movie. And the date, 8/16, is the exact date when the Saturn probe Cassini's Earth fly-by was originally scheduled to occur (before the delayed launch shifted the date to Aug. 18)! In the movie it is even insinuated that the year is 1999 as the date 8/16 referred to that of the 'next year' in the movie that was shown in '98 (in the movie, the US president says "a year from now..." when discussing the projected collision with the incoming comet). This confirms the relevance and significance of the Cassini probe. It also suggests that the movies may be more of symbolic depictions of what is to come, or probably more accurately, the coming events are symbolic 'echoes' of the forgotten past. So, in a way, the movies are functioning as sort of a mediator or 'bridge' between the two realms separated by the abyss of time.
It should also be noted that 'Deep Impact' includes a story about Washington sex scandal, paralleling Clinton sex scandal, and a old former astronaut-hero returning to space, paralleling John Glenn's return to space - which will be discussed in the following section.
I have almost no doubt that all the coincidental messages are carefully
engineered behind the scenes. By whom? Those who are not "dead",
that is, those who have been initiated into the Secret or Mystery.
Where did they get the 'Secret'? I'd say it was passed down generation
to generation in secret societies throughout history since the time of...
ancient Egypt or even Atlantis. And now the general public seems
to be gradually initiated into the Secret through the media under the guise
of 'entertainment', or through deliberate 'leaking' of key information.
Does this, then, mean that there is a asteroid or comet that is headed
toward earth right now to collide with the Earth? That seems to be
a possibility, but I somehow feel that, even if the danger is real, it
will not directly occur in 1999. ...At least I certainly hope not
:)
Cosmic Rituals
When Venus will be covered by the Sun,
Under the splendor will be a hidden form:
Mercury will have exposed them to the fire,
Through warlike noise it will be insulted.
First, let's look at the biggest celestial event in recent years, Comet Hale-Bopp that appeared brightly in the sky in '97. The climax of Hale-Bopp during March-April '97 coincided with Venus going 'behind the sun'. Also, Hale-Bopp's perihelion (closest to the sun and brightest) was April 1, which, besides being April Fool's Day, is the day of the 'Veneralia' - the festival of 'Venus'. Interestingly, Hale-Bopp came to be linked, in the public's mind, to the issue of 'ETs'/'UFO' through the big news of 'Heaven's Gate' cult mass suicide that occurred approximately at the time when Hale-Bopp came closest to Earth (late March). The members of the cult apparently believed that ETs were behind the comet. Also, there had been quite a buzz, especially on the Internet, that there was some kind of 'UFO' following the comet (this was prompted mainly by a hoax/disinformation), which probably influenced the Heaven's Gate members to some degree. It should also be noted that on March 13, '97, just before Hale-Bopp's climax and the mass suicide, there was a major "UFO" event over the city of Phoenix (Arizona, US). It should not be overlooked that 'phoenix' is a mythical bird that symbolizes rebirth/resurrection - the key theme discussed on this page.
Whether or not Hale-Bopp had some kind of connection to extraterrestrial intelligence, it is intriguing that the event quite closely resembles the predictive information and quatrain above.
By adding the following yet another coinciding event to the mix, we begin to see clearer the ritualistic aspect of the events. On March 25, perfectly coinciding with the 'Heaven's Gate' incident and Hale-Bopp's closest approach to Earth (March 22), former president George Bush jumped off a plane and fell to the earth - he did skydiving. It took place in Arizona - where the 'Phoenix Lights' occurred in the same month. At the time Bush was 72 years old (there it is again, # '72'). The 'ritual' aspect of the event is strengthened by the fact that Bush is identified as a member of a shadowy fraternity 'Skull and Bones'. The name, 'Skull and Bones', could easily relate to one of the symbols the legendary Knights Templar, to which various secret societies seem to have some kind of connection, used. Therefore, it doesn't seem to be just a happy coincidence that Bush's skydiving was accompanied by the members of the Army's precision parachuting team called the 'Golden Knights'.
The implication of the 'ritual' appears to concern the "fallen angels"
(represented by Bush's fall from the sky) as in the aforementioned Annunaki/Nephilim
who are in essence the bridge between the "gods" and humans. In a
way, those 'fallen angels' opened the "Heaven's Gate" for humans and united
the heaven and earth. Congruently, 'April' means 'to open' (remember
that Hale-Bopp's perihelion was April 1). The philosophy of the members
of Heaven's Gate cult that it was time to move on to the "Level Above Human"
fits nicely into the symbology. The theme would be that there was
an intervention of the 'fallen angels' that in a way liberated humans.
This is the story of Prometheus stealing 'fire' from the gods and giving
it to humans in Greek mythology. From the strong 'ET' associations
in the apparent ritual of March '97, it can be derived that the story of
the 'fallen angels' has indeed something to do with extraterrestrial intelligence.
What's more remarkable is that when Venus came back to be behind the
sun again around November '98, there was a sense of déjà
vu as very similar strange things happened, corroborating and adding to
the above interpretation and associations:
On Oct. 29, just a couple of days before Halloween (the day commemorating
the 'resurrection' of the dead), a news
story broke that a possible SETI 'hit' was detected by an amateur
radio astronomer in England, not unlike the movie 'Contact'.
As rumors were flying around that the 'ET signal' from the direction of
EQ Pegasi was being studied by the Effelsberg Radio Observatory in Germany,
and also by Harvard, etc., it created quite a stir (to the degree that
the SETI web site had to make a statement).
Interestingly, Richard Hoagland of The
Enterprise Mission proposed, based on the signal data, the possibility
that the signal was coming from an
incoming ET probe - which would remarkably exactly match the hypnotic
information of CWN above. Eventually, however, like the Hale-Bopp
"anomaly", the information proved to be, at least to some degree, another
hoax/disinformation.
Nonetheless, this and other surrounding events at the time seem to have
been carefully designed to yield and/or conform to particular symbolic
mythological concepts - i.e. this was again likely some sort of a 'ritual'
paralleling that of March '97, linked by the specific position of Venus.
On the very same day the EQ Pegasi "signal" story broke, there was a major space event which, like the Bush skydiving, involved a member of a secretive organization that is connected to the Templar tradition. The event was John Glenn's return to space (Glenn was the first American to orbit the earth, and he's a 33° Freemason). On Oct. 29, John Glenn the American hero was blasted into space on a space shuttle 'Discovery'. This mission got a tremendous amount of media attention due to the unique situation of an old American hero returning to space. And generally, this mission is viewed as more symbolic than scientific. But most people are not aware of how esoteric NASA symbolism can get.
The
key to the Glenn/NASA ritual is the #7. In essence, the main motivation
behind sending Glenn into space again appears to be him being '77' years
old, to commemorate something symbolized by #7. The relevance of
the number for the mission could be seen in the fact that the patch of
the shuttle mission incorporated into its design the number '7' - quite
clearly, but disguised enough to let unwitting people not really notice
or inquire. There is no good reason why #7 should be so relevant
to the mission as to be featured in the patch (yes, the mission had 7 crewmen,
but it's not unique for a shuttle mission), except if it's symbolically/ritualistically
important. Strengthening this view is the fact that Washington DC,
where Glenn had been residing as a U.S. senator, is exactly at 77°
W 39° N - the longitude exactly matching Glenn's age Furthermore,
the latitude, 39°, corresponds to the launch date 10/29 (10+29=39),
and the number of people died in the Heaven's Gate mass suicide.
'39' itself is significant also as it is 19.5x2 (for the importance of
'19.5', refer to Babylon
Matrix). (One might also ask 'why is the capital of US at
77° W 39° N in the first place?' But that's a little outside
of the scope of this particular article.)
So
what's the significance of #7? First of all, virtually anyone would
regard it as a 'lucky number', which would then relates to the swastika/Atlantis/Hermes/Mercury/etc.
discussed earlier. John Glenn being an old hero also relates to Saturn/Osiris/etc.,
the ruler of the 'Golden Age'. And conformably, the Golden Age is
associated with the Age of Gemini (Gemini is astrologically ruled by Mercury/Hermes
=> 'good luck' / #7)), roughly 6640BC~4490BC. To make the connection
even stronger, John Glenn went into space the first time ('62) in a craft
named 'Friendship 7' powered by the 'Atlas'
rocket ('Atlantis' = 'land of Atlas'), as part of NASA's 'Mercury'
program!
The logo of the Mercury program again features #7 within the astrological
sign for Mercury. The program that succeeded the Mercury program
was the Gemini program, which utilized rockets named 'Titan
II' ('Titans' are members of the group of "gods" lead by Saturn).
Furthermore, the space program that succeeded the Gemini program was the
Apollo program whose logo inexplicably shows the constellation of Orion/Osiris
within its design, and Osiris also happens to be a god that was associated
with #7 (as well as the moon). And the Apollo missions were
powered by rockets named 'Saturn'. Isn't it just bizarre
that those names and symbols used (Gemini, Mercury, Atlas, Titan, Apollo,
Osiris, Saturn, #7, etc.) are not directly relevant to the goal of going
to the Moon? However, it makes perfect sense when looked at in light
of the hidden ritualistic agenda being discussed, doesn't it? It
should also be noted that Glenn being the first one to orbit the earth
correlates Saturn being the 'First King'. So, all combined, it can
be viewed that the implied theme of the Glenn mission concerns the Golden
Age of Saturn/Osiris/Gemini/Mercury.
We can go even further and derive more specific implication of the 'ritual'.
'Seven', other than being the 'lucky #', signifies the concept of a 'cycle'
as David
Jinks who also picked up on the significance of '7' in Glenn's mission
states:
So the Glenn shuttle mission may have implicated the end of a cycle and coming back to where it began, the Golden Age. Glenn, the first one to orbit the earth, 'resurrected' to orbit the planet again as the oldest one ever, clearly implies the destined resurrection of the Saturnian realm - i.e. resurfacing of the Golden Age, "Atlantis", or metaphorically Saturn/Osiris coming out of their 'life-in-death'.
Resurrection
The notion of 'resurrection' is strongly supported by the other associated events: First, Glenn's mission coincided with Halloween (Oct. 31) which is a holiday commemorating the resurrection of the dead. The major UFO event of March 13, '97 mentioned earlier occurred over 'Phoenix' - which is the mythical bird of 'resurrection'/rebirth. The most prominent SETI program (remember that the 'ET signal' story was heavily SETI-related) is named 'Project Phoenix'.
I'd also like to note that I heard that members of the rock band Aerosmith were invited to the Glenn shuttle launch because of the Armageddon (the movie) connection (Aerosmith provided a song for the movie, as mentioned earlier); and in the movie, space shuttle 'Atlantis' is destroyed first, and following the incident two space shuttles (twin => Gemini => Golden Age/Saturn) carrying 'American heroes' are launched and save humanity by destroying the incoming doomsday asteroids. Remarkably, the two main guys in Aerosmith, the singer and the lead guitarist, have been nicknamed the 'Toxic Twins' which fits very nicely into the symbology involved. So again there is the Atlantis-asteroid connection and the Saturnian resurrection (the space shuttles rising again after one is destroyed) concept. Since catastrophic asteroids/comets have been linked to the Jovian force in the previous section, the theme of the movie nicely illustrates symbolically the archetypal Saturn-Jupiter conflict. In my view, therefore, inviting Aerosmith was also part of the symbology, ultimately intended to strengthen the subtextual underlying theme. Moreover, the shuttle/Glenn being launched on Thursday may be symbolizing the same Saturn-Jupiter conflict as Thursday is Jupiter/Thor's day.
There is more, and it involves Art Bell, the host of 'Coast To Coast', a #1 over-night talk radio show that discusses the paranormal, conspiracies, ETs, etc. Just two weeks before the launch of Glenn's space-shuttle, Bell shocked millions of listeners by suddenly announcing that it was his last show and that he was quitting, without giving clear reasons. The date was Oct.13 - a significant date as it is the date of the dissolution of the Knights Templar (at least on the surface). This event of Art ending his show on the date of this esoterically important event immediately alerted me to look for more symbolic clues. I've found it interesting that his name is 'Arthur', as in King Arthur (again a Templar-related story), and he calls his city/town "kingdom of Nye" sounding like 'kingdom of Knight' - i.e. Kingdom of King Arthur. Now, King Arthur, the 'once and future king', parallels Saturn/Osiris as he is also thought destined to come back when the time is right. So, is it just a coincidence that Art Bell's return/'resurrection' occurred on the very day of the launch of Glenn's space shuttle, and just before the day of the resurrection of the dead, Halloween?
As you can see, the underlying subtextual theme of various events in March '97 and around the beginning of November '98 appears to be the return/resurrection of certain hidden things (Saturn, Osiris, Golden Age, Atlantis, Arthur, Templar, etc.) that are in some way 'extraterrestrial', conforming to the information derived from Quatrain IV-28 (which implicated the revelation of the "Watchers"). The name of the space-shuttle for Glenn's mission being 'Discovery' may have also implied the involvement of some out-of-this-world 'discovery' in the 'resurrection'. It's worth noting, however, that the notion of 'hoax' seems to be deeply imbedded in the whole scenario as, besides the 'ET incidents' of the Hale-Bopp anomaly and the EQ Pegasi signal being considered hoaxes, the timing of the two events would yield the message, 'April Fool - Halloween', i.e. 'Trick Resurrection' (note: Hale-Bopp's perihelion, the climax, was on April 1). Note that the notion of 'trick' is closely associated with Halloween also - can you say 'trick or treat'? While it is easy to come to the conclusion from there that there is to be a faked resurrection/ET contact perhaps for the purpose of deceiving the general public into accepting the dark totalitarian 'New World Order', that itself might be part of the 'trickery'. I say this because I am aware of the mythological implications of 'Trickster' in myths. The 'Trickster' character in various myths is a 'hero' that usually gives 'fire' to mankind, and according to some scholars, represents the 'transformer', 'messenger', and the spirit of creativity, art, disorder, etc. Yes, Prometheus, the hero of mankind, and 'angels'/Mercury/Hermes etc. would be considered to be Trickster. Trickster is the liberator, not an oppressor. Something to keep in mind. Deciphering the "trickery" is like peeling an onion.
Now, what's interesting additionally, coming back to IV-28, is that Venus is to be "covered by the sun" again (though in front of the sun, not behind) in August 1999 - the very timeframe suggested by X-72. And it's when Cassini’s Earth-flyby occurs. Only roughly 60 days before the Earth-flyby, Cassini’s Venus-flyby occurs (June 20, ’99), and consequently, Cassini is to approach from the "direction of Venus" and be "temporarily hidden by the sun". The match between this and the IV-28 information is quite uncanny, and it brings together IV-28 and X-72. It's symbolically very congruent also as Cassini is a 'Saturn' probe - again insinuating the coming/resurrection of the Saturnian realm. How the "Watcher" aspect would be associated with Cassini is not clear at this time. The nature of the 'Saturnian realm' is suggested congruently, by the spaceshuttle that is to be launched on August 5, 1999 - as the name of the shuttle happens to be, what else, 'Atlantis'. (Update 6/17/99: the schedule of shuttle launches has changed since, and now the spaceshuttle Columbia is scheduled to be launched on July 22. "Columbia" is also interesting as it correlates with the 'ark' theme expounded in 1999: The Ark of Sirius that involves the 'Columbine' highschool shooting etc. The spaceshuttle 'Atlantis' is now scheduled to be launched on Dec. 2)
The next time Venus is to be 'behind the sun' is June 2000. That may be a significant period for this 'resurrection' theme also.
The
Big Picture
Let me next try to list and very roughly explicate the nature of the 'knowledge' that seems to be playing a key role in the whole saga, and identifiable with the forbidden fruit Eve ate, the forbidden "fire" Prometheus gave to humans, the Ark of the Covenant, the 'Holy Grail', 'Mary', etc. Just as anything else in mythology, it does not seem to refer to one specific thing but various inter-related things/concepts. One obvious association is the 'information' that has been passed down from the previous civilization and/or from the "gods" or 'sons of the gods' that most of us have forgotten about. It would be the memory of our own past. Another thing that is symbolized by the 'knowledge' appears to be sexual/procreational potency. This notion is discussed in depth by Zecharia Sitchin (author of 'The 12th Planet' the main theme of which, incidentally, is the Death-Star like planet that supposedly comes to our solar system from time to time), and the situation depicted well metaphorically in the movie 'Jurassic Park' (by Spielberg), in which the humans are represented by the dinasours, and the 'gods' by humans. Another thing that seems to be represented by the 'knowledge' is certain genetic material that has been given or 'leaked' to mankind by those from elsewhere... the "gods" or the "angels". This was probably done through direct interbreeding and/or sophisticated genetic engineering, which is what various ancient texts suggest happened (Genesis, Book of Enoch, Sumerian texts, gnostic texts, etc.). Can it be just a coincidence that we became aware of the reality of cloning in the mid '90s when scientists cloned a sheep, and that the name given to the sheep was 'Dolly' (i.e. Dorothy) which means 'gift of God' - the phrase used to describe Prometheus' 'fire'? (Also, if you've seen the movie 'Twister', you may recall that the machine that had those little flying 'sensors' was named "Dorothy". That movie, if you watch carefully is quite clearly about genetic engineering and psi capability - those little flying sensors represent the 'psi gene'/"fire") Also, is it a coincidence that human cloning has started in '98 (by "Dr. Seed" - which is a very fitting name!)? Now, at any rate, the "gift" humans received could be described as the Gene of Isis (Isis being identifiable with Eve), thus the term Genesis (Gene-Isis); Isis was the Egyptian Goddess of wisdom/knowledge and magic, the wife/sister of Osiris, and basically our Mother since Isis gave birth to Horus and the 'Followers of Horus', semi-gods, could be associated with the 'sons of God'/fallen angels/Nefilim etc. who have mixed with humans.
The point that I wanted to get to was the significance of the notion of 'magic' that enters the association of the 'knowledge'/'fire'. What is 'magic' then, and how does it work? Again, it is helpful to refer to movie examples. It can be identified with "the Force" in Star Wars which the Jedi (Luke, Obi-wan, Darth Vader, etc.) can utilize. Conformably, the name "Skywalker" (last names of Luke and his father Darth Vader), according to George Lukas, is derived from 'Loki' who is the Norse god of fire (which correlates with Prometheus). References to psi abilities (telepathy, telekinesis, etc.) are also subtly in the movie 'Contact', one of which is in the scene where Jodie Foster (or the character she is playing) first hears the signal from outerspace through her headphones which are connected to the huge parabolic antennas. In the scene, Jodie is quietly sitting with her eyes closed like Buddha in meditation, then the camera closes in on her left eye until the eye fills the whole screen, at which point her left eye opens as she finally hears the signal from 'out there', comparable to Buddha achieving enlightenment. It is a metaphorical depiction of opening up the 'psychic'/telepathic sense, we could say it shows activation of the telepathic 'antenna' in parables.... so the big "'parabolic' antennas" in the scene are really a great pun! :) Anyway, the focus on the left eye relates to Horus' left eye which was lost in the battle with Seth; so Jodie opening the left eye symbolises regaining the lost 'eyesight' - psi/psychic sense which is right-brain related (left eye is connected to the right brain, and right eye to the left brain). The metaphor is that when the psi sense is opened, it receives information just as the huge antennas hear radio signals. Eventually, after the scene in the movie, Jodie goes through an interdimensional travel to the Vega star system, which can also be taken to refer to the nature of psi - which is basially an interdimensional perception. I'd also recommend watching the Sci-Fi TV show, 'Babylon 5' (currently played on TNT) for a great depiction of the nature of the "telepaths", and relatively literal depiction of the 'big picture'.
Another related key point that I want to touch on is the probable perpetuation of the 'psi blood line' throughout history up to the present time. Likely, there still are 'keepers' of the "Isis DNA", if that can be calle that, and this is probably connected to the mystical secret societies that existed throughout history who seem to have influenced the course of history greatly from behind the scenes, probably both positively and negatively. Though it is likely that the 'psi DNA' is not "active" for a long time (since the Flood?) as may be suggested by inactive state of Osiris, Saturn, King Arthur/Merlin, and even Jesus, etc. and their destined 'return', in mythology. The resurfacing memory of the ancient past, the supposed undergound civilization, and the supposed 'hibernating' beings in Mars, both, again supposedly, begining to come back out may all correspond to this also.
So, it could roughly be inferred that the 'Jupiter' force, the "Dark Father", is a suppresser of this 'gift of fire'. Could it be that this oppressive force is to come back in/around 1999 as suggested by the quatrain, because our technology and awareness have just evolved to the point where we can begin to access the forbidden "knowledge" - the lost past, Atlantis, Mars, "magic", etc.? It is probably comparable to the dinasours in 'Jurassic Park' figuring out how to procreate, and the keepers of the park being terrified by it.
Interestingly, in this perspective, the concept of the remnant of the Nazis, the modern Jupiter force, being involved in the space program would become more meaningful if there IS a legacy of the 'knowledge', the 'fire', waiting for us to find out there - particularly on Mars as we have space probes swarming Mars (Pathfinder, Global Surveyor, Planet B, and many more to follow) now around the suggested timeframe of 1999 - as by infiltrating the space program they would be able to control and suppress the revelation and circulation of the lost 'knowledge' just as the "Dark Father" would do. This would explain why there is so much dishonesty in NASA as pointed out by researchers like Richard Hoagland, Stanley McDaniel, etc. It should also be added that there seems to be another shadowy 'Saturnian' faction (likely Masonic, and Templar related) heavily involved with the space program which is working toward enlightenment, and for the resurfacing of the lost 'knowledge'. (It is not clear whether the ritualistic aspects of the space program are driven by the Saturnian or Jovian force.) So, inevitably there probably is a secret war going on behind the scenes... not unlike two parants fighting to decide what's best for their child - more freedom or more decipline? So, it will really interesting to see how the information from Mars would be handled. It could probably go either way as X-72 allows either scenario to play out... suppression/deception or revelation/enlightenment. The deciding factor may be our own actions and reactions, which are dependent on the level of our awareness.
I do not necessarily think that everything discussed in this article will culminate in 1999. But it seems very likely that 1999 will be a key year for the whole saga. Perhaps it is a beginning of someting... maybe an end of something, or possibly both. The best way to put it, in my view, is that it is to be a major nexus point.
Perhaps, this is the time for us to assert our right to exist without forced limitation, like the T-Rex roars as the banner reading "Jurassic Park" (representing the man's control over the dinasaurs) falls to the ground near the end of the movie when the dinasours have taken over the island, and declare our independence as done in the movie 'Independence Day'. This message is implied in the fact that Mars Pathfinder landed on Mars on Independence Day, and Japan's probe to Mars, Planet B, launched on July 4th. At the last secne of 'Jurassic Park', the keepers and guests evacuate from the island on a helicopter, and as they fly over an ocean the father-figure guy who used to hate children rests lovingly with children. As the guy looks out the window, a bird, the animal that directly decended from dinasaurs, is freely flying along the helicopter. This is the ending we want. The 'Father' accepting us, and us finally freely flying. It would be as joyful and exciting as Rose leaning forward at the front tip of the Titanic and screaming, "I'm flying!! I'm flying!!" :) We belong among the stars.